“This manifesto against sexism and gender inequality resonates with more recent work, such as that of Sandra Brewster, a Canadian artist who produces blurry portraits (the series is called Blur) in very large format, printed imperfectly on the wall. via a gel transfer technique requiring rubbing. These blurry portraits function as metaphors for change and movement, and evoke the multiplicity and fluidity of our identities.” Read the full review of the Arles Festival in LAND, here: https://www.land.lu/page/article/468/339468/FRE/index.html
