Contes en Trompe-l'oeil, Notes, Maxims

November 21, 2019 – December 21, 2019

Contes en Trompe-l’oeil

The first series of tromp-l’oeil paintings is based on my experiences in the Aveyron River valley in France. Each painting suggests a narrative that is geographical, anecdotal or fantastical. The source material is abstracted from its source so as to be hardly recognizable. The trompe-l’oeil evokes the dimensionality of illusionistic painted form rather than a realistic representation.

L’Enseigne de Gersaint Figures

The second series is based on a painting by Antoine Watteau, entitled L’Enseigne de Gersaint which originally hung in an arched space above the entrance to the gallery operated by his dealer, Edmé-François Gersaint on Pont Notre-Dame in Paris.

Watteau’s three-metre wide canvas shows an illusory space of the interior of Gersaint’s gallery that is calculated to optically and psychologically intrigue and entice the viewer. One of his figures is even depicted as stepping from the cobbled street into the space of the gallery. Her gaze is directed toward a painting that is about to be crated for delivery.

There are twelve figures in Watteau’s painting, some employees and some clients. I have sampled colours from dresses and jackets worn by six of the figures in the composition to create colours for my own series of illusory paintings. I selected portions of the folds in their clothing and configured these into the beveled surfaces of my paintings. Just as Watteau’s painting depicts an illusionistic space, my paintings similarly use trompe-l’oeil to captivate the viewer with my prismatic surfaces.

 

Cursive Works

Notes

Cursive is a style of penmanship in which characters are joined together in a flowing manner, generally for the purpose of making writing faster. It attempts to minimize pen lifts by creating a continuous flow of writing. While there are standard letter forms taught within cursive penmanship styles, cursive always reflects the personality and invention of individual users.

The cursive texts I used in the series, Notes, come from notes written by family members or friends that were given to me or found by me. I enlarged each note to make the unique style of each person’s handwriting more visible. Each note is meticulously reproduced at this much larger scale. The fluidity of cursive writing is subverted by my time-consuming and exacting process of building up an image through multiple coats of transparent watercolour.

The content of the notes is ordinary but their significance is their unique and individual interpretation of the cursive style. I knew all these individuals so the notes are meaningful to me because of this personal connection.

 

Maxims

To create these maxims I have used the Sutterlin cursive alphabet, an example of which I found in an archive in Berlin. Most of the texts are sayings or maxims that are mine. The texts can be translated as follows:

Mein herz ist / unter Verschluss
[My heart is / under lock and key]

Wir sind / nicht alleine / Wir sind / allein
[We are / not alone / We are / alone]

Verbindungen / mussen / flexible sein
[Connections / must / be flexible]

und hangt / sein goldnes / schild hinaud
[and hangs / his golden /sign outside]
From Nurnberger Lebkuchen, Elsbeth Fehlberg and Lotte Schobert, Verlag, 1941.

Ich sterbe / fur hitze / Wir sterben / fur kalte
[I die / for heat / We die / for cold] .
From British Library, Stowe MS 49, fol. 122r (c. 1300)

Opening Reception

November 21, 2019
6:00 pm – 8:00 pm

Artist Links

Included Artworks

und hangt, 2019

und hangt, 2019

Robert Fones
watercolour on paper 16" x 25" - paper 18.5" x 27.5" - framed
Mein herz ist, 2019

Mein herz ist, 2019

Robert Fones
watercolour on paper 12.75” x 27.75” - paper 15” x 30” - framed
Verbindungen, 2019

Verbindungen, 2019

Robert Fones
watercolour on paper 16.5” x 28” - paper 18.5” x 30.5” - framed
Wir sind, 2019

Wir sind, 2019

Robert Fones
watercolour on paper 20” x 28” - paper 22.25” x 28” - framed
Ich sterbe, 2019

Ich sterbe, 2019

Robert Fones
watercolour on paper 20” x 24” - paper 22.25” x 26.5” - framed
Nurnberger Lebkuchen 1-1, 2018

Nurnberger Lebkuchen 1-1, 2018

Robert Fones
watercolour on shopping bag 18.5” x 16” - paper 27.5” x 20.5” - framed
Nurnberger Lebkuchen 9-2, 2018

Nurnberger Lebkuchen 9-2, 2018

Robert Fones
watercolour in shopping bag 18.5” x 16” - paper 27.5” x 20.5” - framed
Nurnberger Lebkuchen 7-1, 2018

Nurnberger Lebkuchen 7-1, 2018

Robert Fones
watercolour on shopping bag 18.5” x 16” - paper 27.5” x 20.5” - framed
Nurnberger Lebkuchen 11-2, 2018

Nurnberger Lebkuchen 11-2, 2018

Robert Fones
watercolour on shopping bag 18.5” x 16” - paper 27.5” x 20.5” - framed
Nurnberger Lebkuchen 1-2, 2018

Nurnberger Lebkuchen 1-2, 2018

Robert Fones
watercolour on shopping bag 18.5” x 16” - paper 27.5” x 20.5” - framed
Nurnberger Lebkuchen 6-2, 2018

Nurnberger Lebkuchen 6-2, 2018

Robert Fones
watercolour on shopping bag 18.5” x 16” - paper 27.5” x 20.5” - framed
Nurnberger Lebkuchen #3, 2019

Nurnberger Lebkuchen #3, 2019

Robert Fones
acrylic on linen 30” x 40”
Nurnberger Lebkuchen #2, 2019

Nurnberger Lebkuchen #2, 2019

Robert Fones
acrylic on linen 30” x 44”
Nurnberger Lebkuchen #1, 2019

Nurnberger Lebkuchen #1, 2019

Robert Fones
acrylic on linen 30” x 44”
Nurnberger Lebkuchen #4, 2019

Nurnberger Lebkuchen #4, 2019

Robert Fones
acrylic on linen 30” x 40”
Hans, 2019

Hans, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Aveyron 2, 2019

Aveyron 2, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Plomb de Macon 1, 2019

Plomb de Macon 1, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Snake in the Woodpile, 2019

Snake in the Woodpile, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Scarecrow with a Message, 2019

Scarecrow with a Message, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Aveyron 1, 2019

Aveyron 1, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Strange Music, 2019

Strange Music, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Plomb de Macon 2, 2019

Plomb de Macon 2, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Ant Lions, 2019

Ant Lions, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Enseigne de Gersaint, Figure 2, 2019

Enseigne de Gersaint, Figure 2, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Enseigne de Gersaint, Figure 3, 2019

Enseigne de Gersaint, Figure 3, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Enseigne de Gersaint, Figure 4, 2019

Enseigne de Gersaint, Figure 4, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Enseigne de Gersaint, Figure 7, 2019

Enseigne de Gersaint, Figure 7, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Enseigne de Gersaint, Figure 8, 2019

Enseigne de Gersaint, Figure 8, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Enseigne de Gersaint, Figure 12, 2019

Enseigne de Gersaint, Figure 12, 2019

Robert Fones
acrylic on canvas mounted on panel 16 5/8” x 16 5/8”
Right at the Highway 148, 2019

Right at the Highway 148, 2019

Robert Fones
watercolour on paper 21.5” x 67” - paper 24” x 69.25” - framed
I don’t think they, 2019

I don’t think they, 2019

Robert Fones
watercolour on paper 17” x 28” - paper 19.5” x 30.5” - framed
thought you [triptych], 2019

thought you [triptych], 2019

Robert Fones
watercolour on paper 11” x 18.5” - each paper 13.25” x 20.75” - each framed
Kyrgyzstan Cross, 2018
Kyrgyzstan Cross, 2018

artwork detail

Kyrgyzstan Cross, 2018

Kyrgyzstan Cross, 2018

Robert Fones
stop-motion animation, edition of 5 3 mins
Kyrgyzstan Cross, 2019

Kyrgyzstan Cross, 2019

Robert Fones
archival ink jet print on Hahnemuhle paper, ed. of 5 24” x 24” - paper 31.25” x 29” - framed
Kyrgyzstan Seal, 2018

Kyrgyzstan Seal, 2018

Robert Fones
archival ink jet print on Hahnemuhle paper, ed. of 5 24” x 24” - paper 31.25” x 29” - framed