Scotiabank CONTACT Photography Festival
She Has Something to Say
Olga Korper Gallery
May 1 – June 12, 2021
Bringing together works by Lois Andison, Barbara Steinman, and Katherine Takpannie, She Has Something to Say celebrates the power of women’s voices, underscoring the global need for awareness, advocacy, and change on various fronts.
With an imposing yet graceful presence, Montréal-based Barbara Steinman’s oversized diptych L’Ecoute II (1998/2021) opens the exhibition. Depicting the mighty force yet graceful touch of androgynous hands, the work alludes to the biases and limitations imposed on women. In the adjoining series Birds of the Air: After Eadweard Muybridge (2008), silhouetted birds flap entwined wings, wresting themselves from the constraints that bind them in order to take flight.
Toronto-based Lois Andison’s video installation threading water (2014) draws the viewer in with the sound of stirring water. Dancing in the open lake like a synchronized swimmer, a solitary figure maneuvers an oversized object reminiscent of a barbershop comb. As the performance continues the dancer tires, the physicality of her strokes taking its toll and highlighting the emotional plight of women in debunking the notion of a gender-neutral world.
Two series by Ottawa-based Inuk artist Katherine Takpannie speak to the underlying social, economic, cultural, institutional, and historical causes contributing to the ongoing violence against and associated vulnerability of Indigenous communities. In Our Women and Girls are Sacred (2016–18), theatrical plumes of red smoke invoke the tragedy of murdered and missing Indigenous women, girls, and two-spirit people in Canada. The series All Eyes on Mi’Kma’Ki (Ma Myriah) (2020) confronts inadequate governmental action regarding fundamental water rights.
Bringing these three distinct voices into conversation, She Has Something To Say speaks to complex, intersectional, and ongoing feminist struggles within the contemporary cultural landscape, and highlights the critical role of artists in making them visible and inciting change.
Opening Reception
May 1, 2021 10:00 am – 5:00 pmArtist Links
Included Artworks
artwork detail
acts of dissent, act 2, 2021-2024
lois andisonfine art prints on Hahnemuehle Photo Rag 308, ed. of 5 2AP
artwork detail
acts of dissent, act 3, 2021-24
lois andisonfine art prints on Hahnemuehle Photo Rag 308, ed. of 5 2AP
artwork detail
threading water, 2014
lois andisonsingle-channel HD video projection (sound), ed. of 9, 2AP 11 min. 52 sec. photo: Michael Cullen
artwork detail
acts of dissent, act 1, 2021
lois andisonfine art prints on Hahnemuehle Photo Rag 308, ed. of 5 2AP
artwork detail
artwork detail
Birds of the Air: After Eadweard Muybridge Profile No. 6, Plate 755, 1887, 2008
Barbara SteinmanGiclée Print edition of 5 36.5” x 36.5”
artwork detail
Birds of the Air: After Eadweard Muybridge Profile No. 7, Plate 755, 1887, 2008
Barbara SteinmanGiclée Print edition of 5 36.5” x 36.5”
artwork detail
Red Bird, 2014
Barbara Steinman2 art-glass panels in light box, LED elements, unique 16.5” x 36.25” x 2.75”
Our Women and Girls Are Sacred #1, 2016
Katherine Takpanniearchival pigment ink print, ed. of 5 2AP 24" x 36"/ ed. 3 2AP 36" x 54"
Our Women and Girls Are Sacred #2, 2016
Katherine Takpanniearchival pigment ink print, ed. of 5 2AP 24" x 36"/ ed. 3 2AP 36" x 54"
Our Women and Girls Are Sacred #4, 2018
Katherine Takpanniearchival pigment ink print, ed. of 5 2AP 24" x 36"/ ed. 3 2AP 36" x 54"
All Eyes on Mi’Kma’Ki (Ma Myriah #3), 2020
Katherine Takpanniearchival pigment ink print, ed. of 5 2AP 24" x 36"/ ed. 3 2AP 36" x 54"
All Eyes on Mi’Kma’Ki (Ma Myriah #2), 2020
Katherine Takpanniearchival pigment ink print, ed. of 5 2AP 24" x 36"/ ed. 3 2AP 36" x 54"